We’ll See How All Reverberates, 2012
Installation of three hanging mobiles with cymbals
Steel, cooper and epoxy paint, variable dimensions
We’ll See How All Reverberates is an installation that is based on the organic shapes of the mobiles made by Alexander Calder. Instead of hanging abstract forms, from the mobiles are suspended about thirty-five different cymbals, the installation thus becoming a musical instrument. The cymbals are meant to be played by the exhibition’s audience and also by musicians. This installation suggests a state of quietness that by being played by an audience can become either harmonic or chaotic.
Carlos Amorales Drumming
Atelier Calder
Filmed by Guillaume Blanc
March 2012
We’ll See How All Reverberates
Bienal de Sharjah
Courtyard of Calligraphers’ Studios
Filmed by David Clarebout
March 2013
“Press the Eject and Give Me the Tape”; Bauhaus, 1982
Photograph by Eugene Merinov